The Migrant Jellyfish
- Seda Akgun

- 1 day ago
- 3 min read
Updated: 2 hours ago
I once painted jellyfish because they reminded me of immigrants.
Products I used to make this piece:
I painted this piece with my Himi Gouache 112 color Set, my Winsor and Newton professional-grade brushes from Blick Art, and some Chinese Painting and Calligraphy Brushes from Amazon.
The Painting Book is designed and made by me with L'Aquarelle Canson Héritage Watercolor Blocks, which are used primarily as the paper for my bookbinding projects.

The Story Behind this Painting: The Migrant Jellyfish
Transparent creatures drifting through waters they do not control, moving wherever the waves decide to carry them. They survive not because the ocean is gentle, but because they learn how to move with it. They bend. They adapt. They continue.
Jellyfish are strange beings. Soft, exposed, almost fragile-looking. They carry no armor. Nothing about them seems built for survival, and yet they endure some of the harshest currents in the world.
That always stayed with me.
Immigration feels similar sometimes.
People often imagine immigration as paperwork, borders, visas, or laws. But behind all of that is something much heavier: the emotional movement of a human being from one reality into another. A constant adaptation. A constant proving of yourself. A constant learning of new rules, new systems, and new expectations.
You are expected to move quickly, even when you are exhausted.
You are expected to be strong, even when you feel displaced.
You are expected to smile politely while carrying entire oceans inside you.
But immigration is rarely only about the person who leaves.
There are families and friends left standing on the shore. Parents who watch their children leave. Children who grow up far from their grandparents and all other relatives. Friends who slowly become voices through phone calls and messages. People who once shared ordinary moments suddenly become separated by borders, time zones, and distance.
Sometimes people leave because they have no choice.
Sometimes they leave because they choose to.
And sometimes they choose something unfamiliar because it feels safer, prettier, or just better than staying where they are. They step into uncertainty because uncertainty still feels like a better future than what they are leaving behind.
Many migrants carry a quiet burden: the feeling that they are leaving pieces of themselves behind with the people they love.
They miss birthdays, celebrations, family dinners, and ordinary moments that can never be repeated. They endure loneliness, confusion, judgment, and endless challenges because they believe the sacrifice means something. Because they hope that one day their children will have opportunities they never had. Because they imagine a future where the struggle becomes worth it.
They endure the sacrifice because love sometimes asks people to carry impossible things.
Like jellyfish, immigrants often become transparent. Not because they want to disappear, but because they see no other choice. Their accents, struggles, fears, paperwork, histories, and uncertainties are always visible to the world around them. There is little space to hide.
And still, they continue moving forward.
They pass through judgment, obstacles, misunderstandings, loneliness, and endless adaptation. Sometimes they are welcomed. Sometimes they are treated as though they do not belong anywhere at all.
Yet they keep floating.
Not because floating is easy, but because survival itself becomes an art form.
I think that is what fascinated me most about jellyfish. They are carried by forces greater than themselves, but they do not cease to exist because of it. They do not stop glowing simply because the waters are dark.
Maybe resilience does not always look loud or powerful.
Maybe sometimes resilience looks soft.
Maybe it looks like continuing anyway.
Maybe it looks like waking up every day in a place that still feels unfamiliar and choosing to keep going.
Maybe it looks like carrying homesickness and hope at the same time.
Maybe it looks like becoming transparent enough to stop fighting who you are.
And maybe that is why this painting mattered to me so much.
Because in those jellyfish, I did not only see creatures of the sea.
I saw people trying to survive unfamiliar currents while still holding onto themselves.
I saw people carrying memories of family and friends across oceans.
I saw people enduring every challenge because they believed their children might one day live with less fear and more possibilities.
And in the end, after every difficult wave, every obstacle, every fear, there remains one question:
Was it worth it?
For my migrant jellyfish, it was.

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